The Catcher in the Rye is a novel by J.D. Salinger that was first published in 1951. It is a coming-of-age story that follows the protagonist, Holden Caulfield, as he navigates his way through adolescence and adulthood in New York City. The literary analysis performed on the writer’s background, as well as, on the recurring semantic themes present in the last two chapters of the novel, led to the formation of semantic classes. These classes give a detailed focus onto the novel’s main thematics which helped shape the novel’s ontology developed on WebOwl. The chapters have been chosen as a source rich of themes underlying the language used by the author. The scope of this project is thus focused on literary interpretation and analysis.
Through a deep study of the text, we decided to distinguish the tokens in grammatical and semantic classes.
As for the grammatical classes we considered the tokens which replied to the question what? as objects, those who replied to the question who? as proper names, movement verbs leading to a movement in the main character, static verbs where the situation remains still for a certain amount of time; qualitative adjectives (how?).
As for the thematic classes, which are more semantically relevant for the meaning of the novel there are body-related tokens, which are divided in body parts (ex. eyes), physical needs (ex. sleep), physical state (ex. asleep). Holden’s journey was both mental and physical, that’s why the body takes a big part of the metadata.
The materialism class was chosen because Holden’s life is spent wandering around, so this element of realism is important to understand the physical constraints of the body: one needs money to move out.
The slangs took out a big part of the text: more often present in direct conversations or in the protagonist’s thoughts, these words are important to underline the contextual roughness that Salinger adopted in taking the boy’s point of view. With the ’phoniness’ of the world, for example, the writer wants to underline the phase of life called adolescence, in which one doesn’t feel to be part of neither adulthood, nor childhood anymore.
Time expressions are a useful tool to distinguish between the real passing time and the mental perceived time by the protagonist.
Places are changed so frequently to underline the lost feeling which is the constant, also underlined by Holden’s name. Hold-en means hold on, keep on going; Caul-field: the caul is the protective covering that encloses the field of innocence. Holden tries to remain a child, but he is not anymore; he can not understand the adult world, so his only possibility is to be a Catcher in the Rye: the one who protects children from falling down the cliff of adulthood, well aware that he can not protect everyone.
The black connotation refers to negative physical and mental states.
Throughout the text we found that some tokens could have had multiple membership classes: in these ambiguous cases, the chosen class was the one most prevalent according to the meaning of the text. For example, when a word is both an object and a slang, the prevailing class is always the thematic one. In other cases where a world is both a physical state like headache, but it has a negative connotation, the negative prevails. The adopting criteria was that of always choosing the prevailing membership class.
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